Listening to: Love Will Tear Us Apart - Joy Division
I think I've mentioned this here a couple of times, but if you follow my Twitter or work with me in person then you're more likely to know that I'm amassing Penguins. I started sometime after I moved into North Western and with my constant hunger for books have found dozens for a small pittance through colleagues, second-hand bookshops and at Books for Free, this great initiative that saves books from pulping and hands them out to the community.
I love reading
Travellin' Penguin and
A Penguin a Week and I finish about one book per day, so it makes sense to start writing about a few of my finds on here. I'm also working on a short post on where to find them in Liverpool, since I can't seem to find one of those online.
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| The Lost Girl by D.H. Lawrence (Penguin #752, reprinted 1954) |
This is the book that started it all. I found it in
Henry Bohn Books, sat atop a box of non-fiction and reduced to £1. I knew nothing about vintage Penguins but the title struck a chord and I left with that and a selection of Nietzsche and a well-bound copy of the Icelandic Sagas. This is the second imprint (1954, originally published 1950) and it's in remarkably good condition - the front is slightly tatty, but the spine is bright and so are the pages. Most of my other Penguins have browned spines, dark pages and foxing, even those that are ten years younger.
The novel itself was written by D.H. Lawrence, an author better known for
Lady Chatterley's Lover and the scandal that surrounded it - it was heavily censored until Penguin released the first unabridged version in 1960 and
went to court for obscenity.
The Lost Girl was first published in 1920, eight years before the censored publication of
Chatterley, and was more or less doomed to a lifetime of relative obscurity. The design makes for great travel gear, though - Wild and Wolf released a line of
The Lost Girl and
On the Road water bottles, luggage tags, passport covers and travel pouches a while ago and they are incredibly lust-worthy (they can still be found on Amazon).
Onto the story. Alvina Houghton is a draper's daughter, Midlander and lost girl. She's terrified of dying a spinster, but she also doesn't want to settle. She flits between jobs, between lovers, but always has this gnawing fear - even when she gets what she wants, she can't submit to it. This, I think, is the key to the novel. If you can't empathise with Alvina here, it's not likely to do much for you.
Alvina starts to be discontented with life in the Midlands and decides to train as a midwife in Islington for six months. Her family is unconvinced that she'll make a living in nursing, and they're probably right. She comes back street-smart and qualified but it doesn't work for her - and her reputation is a little rough. She starts dating a local scholar who could probably support her for life, but gets cold feet. Risk-averse as all hell, it's surprising when she ends up lusting after a travelling thespian, Cicio, and joining his troupe - but not so surprising when she decides it might be a better idea to settle down as a nurse and gets engaged to wealthy and smitten Dr. Mitchell instead. The thing is, she really doesn't plan on marrying him...
It's slow and dry to begin with, but the end - oh, the end. You know when people are like, "I read
The Fault in Our Stars and it broke my heart"? That is bull. I mean, I don't even know where to begin with
TFiOS, it's an absolute picnic and I don't like Hazel (I'm a Margo). Read
The Lost Girl and if you relate to Alvina you will cry until your throat is dry and your chest aches and you wonder if it was worth it. Is that not terribly more like heartbreak?
This book found a nerve, and it didn't just touch it, it grabbed it and scratched away at it. I've always had this massive fear of abandonment, the kind that tells you to run and become a lost girl before
you lose anything, and Alvina Houghton embodies that. I think we all have that somewhere, don't we? So, yes. Read it.
Hearts,
Tor xoxo